Pinagmulan

2016 Si Adlaw at si Mayari

PINAGMULAN EXHIBIT
Welcome Note • Artists Collective Statement
7 August 2016
Art Circle Cafe Makati

[Salutations]

Vice President, Leni Robredo:

On behalf of my co-exhibitors and artists: Lakan Olivares, fashion designer, Twinkle Ferraren, performing artist, Joey Ayala, and our curator and host, Kitten Alcantara, I welcome You to the Pinagmulan exhibit.

To our guests:
Thank you for being with us tonight!

* * *
Allow me to tell you briefly about us: Twinkle Ferraren is our energetic fashion designer who has held shows here and abroad, bringing with her fabrics and accessories made whole with select trinkets from the tribes of Lake Lanao and Sulu. I am Marleena and my new media art brings to the public what is known as fractal art. These were created with algorithms which are also the mathematical interpretation of Nature, the cosmos, and us. Lakan’s pen and ink art makes use of discarded wood which he, in all brilliance, turned into okir-inspired pieces. And Joey Ayala, as we know, is a multi-awarded composer and lyricist. His name is synonymous to ethno-rock, neo-ethnic, and SiningBayan.

We all came together and were graciously assisted by Kitten Alcantara, who for many years, has pioneered efforts to bring the visual arts wherever it must. She is both an old supporter and a not-so-new companion in the collective effort to promote culture-based governance.

Together with tonight’s performing artists Mlou Matute, Onie Badiang, and Rene Tengasantos, we are also very thankful for the support of the National Commission for Culture and the Arts in making this show possible.

* * *
Culture and the arts has long been part of human existence and society. It has, in significant ways, shaped our history. Civilizations have come and gone, but the evidence of their existence remains — and this was made possible by the hard work of artisans, painters, performing artists, architects and designers who have worked alongside with the equally dedicated historians and culture bearers.

This fact is nothing short of what our society cannot do without today: culture-based governance, when given rightful support, contributes in resolving conflicts and in uplifting the spirit of a nation that has long been divided.

Art or cultural work is inspirational, and perhaps not seen as a practical means in securing a nation’s stability or progress. However, the arts, when valued and allowed in its independent paradigm, solicits illumination — the kind of glow that our very own souls bear and is attuned to. After all, we are all made in the image of the Divine.

Pinagmulan was created and put together with this story; upon the belief that our origins and source ring louder than the noise of our confusion. Similarly, Gat Jose Rizal taught us: Wisdom eludes those who fail to look to the past and see the value of one’s origins.

* * *
But how far must we look behind? And how far can we really look into the future?

It is here that designers come together given their advantage: they are skilled, talented and are born visionaries. We are co-creators in our own right. We invent and innovate. We pioneer things and look to the future as our canvas. We do this because we know that what we do today is for the many generations to appreciate and make use of. Such makes our spirit strong, fertile, and truthful. And nothing out of pure and sincere intentions can be delivered as false.

Our roots inspire us because we are hungry to learn; to see the dichotomies as well as the interconnectedness in life. Nature, for example, serves to be our inspiration, which our ancestors have also revered. Throughout the ages, stories of Creation has been told and passed on thru oral traditions. We then, turn them into a book, an artwork, a beadwork or a song.

Whatever it is, we refuse to let a golden past die.

It is such what culture-based governance brings: citizens who are aligned to the values our ancestors have long said are in harmony with who we are. Thereby, we gain a society that is truly at home — a people that are no longer strangers to each other. Here, we gain peace and prosperity in bridging the gaps of indifference.

Joey Ayala taught us that our music is the kind that carries the audience along with it: It is a slur that turns into a cradle where we sit and sing along because we belong to it.

By all means, let us own our culture and support the arts. Let it be the medium where our nation expresses transcendence and aspiration. Let it be a tool for progress and partner in building a compassionate society.

Tonight, we are grateful as artists because we are able to communicate. We are glad that you have come to join us as we celebrate a night of remembrance and affirmation of our interdependence!

 NCCA_______________
Featured art : (Above) Si Adlaw at si Mayari, Lakan Olivares, pen and ink
on recycled wood, 2016; (background) Aborigine, Marleena Litton
12 in x 12 in lambda print, 2012.

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